Tires cried out in protest, their screech loud and long. Sarah looked left just in time to see the front end of a silver car coming toward her. She leapt. The car kept coming. She went airborne, then landed, rolling up the hood of a car.
It took a moment to realize she’d come to a stop.
She opened her eyes. Her head - still attached to her body, miraculously enough - had come to rest against something hard and cool. A windshield, she realized. Her cheek and the front of her body pressed against the glass.
Oh, great.
She was now a human bug. How appropriate.
Lance Cooper saw cleavage - that was it - a large valley of flesh where moments before there had only been open road.
What the - ?
The above excerpt from the St. Pete Times says that “In The Groove” was going to be the first title to be produced as part of the NASCAR-Harlequin partnership. However, a glide through Harlequin’s library yielded already-published “Dangerous Curves”, written by Pamela Britton — who’s also writing “Groove”. The starting flag has already dropped, apparently.
And I thought last year’s NASCAR Ballet represented a loss of focus for stock-car racing…
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